

Pfeifer
Plans to Compose His Own Music for Programs
Viktor
Pfeifer
December
4, 2005
Article & Photo © J.
Barry Mittan
Austria's
Viktor Pfeifer has an unusual plan in mind for next
season. He wants to compose and play his own music.
"I plan to compose my free program music and
play it myself," he said. "I already have
some melodies and I've already composed some music
for the cello. The program will be part classical
and part modern. I still have many friends at the
conservatory and they said they will play with me
so I'll have my own ensemble for the music."
The
18-year-old began playing the cello at the age of
seven and attended the biggest music conservatory
in Voarlberg, Austria before he switched to a sports
school. "I was very talented but it was boring,"
he said. "I just lived for skating so when we
had a lot of free time to practice the cello, I was
skating."
Pfeifer
accomplished his first goal for this season by qualifying
for the Olympic Games at the Karl Schaefer Memorial
in Vienna, finishing fifth. He also finished fourth
at the Golden Spin of Zagreb and fifth at two Junior
Grand Prixs, the Sofia Cup and the Tallinn Cup. Last
season he placed 12th at Junior Worlds, 18th at Europeans
and 23rd at Worlds. He has won the novice, junior
and senior titles in Austria. For this year, Pfeifer's
primary goal is to win the Junior World Championships.
"I really want to be good this year," he
said.
"I
went to kindergarten skating when I was seven,"
Pfeifer said, "but I didn't start taking lessons
until I was nine. I really went to lessons when a
girl from school that I liked went skating and I followed
her. Then she quit but I already liked skating so
I stayed. When I was 14, I really started training
professionally, before then I was just skating without
any serious thoughts. I had been an alpine skier until
I was 12, but it was just for fun."
"I
landed my first triple when I was 12 or 13,"
he recalled. "It was a toe loop. And by 15, I
had all my triples. I like doing triple-triples. They're
real consistent. I have a triple flip-triple toe in
the long and triple loop-triple toe. I'm also working
on three triple combinations. Once I even did triple
salchow-triple toe-triple toe-triple toe in practice."
"I've
been trying quads and have landed quad toe loop in
practice but it's not yet consistent. I tried my first
quad in competition at the Montfort Cup in Feldkirch
in October. I hope to have quad toe-triple toe in
my long program by Europeans. You need it for the
points. I've also tried the quad salchow and the quad
flip in practice. I've landed them but cheated."
Pfeifer
normally trains in Feldkirch with Elena Romanova.
"I usually train two to three hours a day on
the ice, six days a week," he said. "Sometimes
I do four hours but then I'm too tired the next day
because the training is very intensive with lots of
jumps. I take notes about how many jumps I do and
how many are completed. I've had no problems with
my elements in practice, getting almost 100 percent,
but I still have to practice more on my programs to
be more consistent and not make mistakes. Pfeifer
also trains in Flims, Switzerland in the summer with
Viktor Kudriatsev and some of the Russian skaters
like Ilia Klimkin.
"I work off ice every day with my coach,"
he continued. "It's mainly jumps and turning.
It's harder to turn off ice so you can learn how to
turn better. I do an hour or two every day, including
going to the gym. I also go to a sports psychologist
and physiotherapy once a week. I realized that it's
not just about competitions. You need a mental coach
too. I can tell him my problems and he helps me and
motivates me. Before in practice, I just went on the
ice. Now I prepare my mind in practices. I learn how
to solve problems and crises."
Marina
Kudriatseva choreographs Pfeifer's programs. This
season, he is using "Chronologie Part 2"
and "Zoolook Number 3" by Jean Michel Jarre
for the short and music from the soundtracks of "La
Strada", "Eight and a Half" and "Il
Bidone" for the long. "The music for both
programs is new," he said. "I always like
to skate to slow music and do slow movements, but
then there is not enough time in the short to do the
elements and the choreography. So we decided that
it's better to do one fast program and one slow program.
So the short is faster and the free is slower. I really
like the free program music and feel good skating
to it."
He
used a Charlie Chaplin medley for his gala program
this season. "I first did Charlie Chaplin five
years ago," he said. "I made it myself.
A lot of it, I'm just improvising, especially in the
step sequences. I also put many personal ideas in
my own programs for the last two years before this
year. And this year, I added many movements. I think
it's important that skaters show their individuality."
Pfeifer
has completed high school but not enrolled in university.
"I just want to keep skating for as long as I
can, " he said. "Maybe ten more years. In
Austria, sportsmen can get good jobs in managing,
both in business and in sports centers. If you're
a good sportsman, they are interested in hiring you.
I'm also interested in architecture. My father is
an architect."
Among
his off ice interests are listening to music, especially
hip-hop, playing soccer, and sometimes playing computer
games.